ORTONA

The Sport of Women's Gymnastics

To the casual spectator, the sport of gymnastics might seem elegant and simple but this surface beauty and simplicity can be deceptive. As an observer, you really need to understand physical challenges and technical details to appreciate the artistic beauty and physical power of gymnastics. Years of training, conditioning and practice go into each brief performance. Each athlete has her own arduous story about her personal journey and individual accomplishments. She has likely had to sacrifice many tangible and intangible things. Gymnastics isn't necessarily about winning or losing at competitions . . . it is about the feeling of flying through the air, sticking a perfect landing and the excitement of learning a new skill. For many gymnasts, they love the sport of gymnastics because of the person it has helped them to become.

Gymnastics has been a sport of continuous evolution to increase the level of challenge and complexity of physical accomplishments and components of skills. While a young woman's performance might last roughly the same amount of time as it did 20 years ago, the nature of her skills, movements and difficulty has increased significantly. On an ongoing basis, skills are replaced by newer, vibrant, original and more challenging movements that may someday be viewed as standard skills. The "bar" is continually being raised. Unlike other team sports, one of the real joys of gymnastics is the emphasis on personal challenge and the individual's evolving skills and improvement.

The Language of Artistic Gymnastics

As with any sport, there is a special language required when discussing the movement of that sport. In gymnastics, we describe various skills as the "elements" having substance and form. There are elements of strength, holding, balance, flight, swing, flexibility and transitional movements. Sometimes an element may combine several qualities such as strength and balance. Other components of gymnastic movements are directional changes, body waves, splits, amplitude and extension. Artistic merits of the performance are judged on elegance, appearance, bearing and the ease of grace of the gymnast's movements.

Categories of Athletes and Skills

Each athlete is placed in a competitive category determined by her age, athletic skill and ability. There is a code that the coaches follow in preparing the athletes and routines for each event. The required skills will vary greatly among the various levels of competition. These skills are rated from simple to very difficult. In each category, the gymnast is required to have certain complexity and numbers of specified skills in her routine. Women compete in four events (vault, uneven bars, balance beam and floor).

EVENTS

Vault:
Women's vaults are grouped into four categories which are determined by the body positions and movements of that vault. When a gymnast selects a vault, she must meet the requirements for that vault according to the Code of Points. Some ingredients of a successful vault include: strong, explosive run; feet going quickly up over the head; proper body, shoulder and hand position when she pushes off the table; and an instantaneous push-off. During the flight phase it is important to ensure height and distance. Twists and saltos are important in the higher-difficulty and more challenging vaults. A steady and "stuck" landing is also critical.

Uneven Bars:
The emphasis on this event is movement elements including swing, flight and transition of elements. The gymnast must use both upper and lower bars. There must be grip changes, releases and re-grasps. There must be flight elements and she must change direction. The gymnast must perform saltos and giant swings in a handstand position, pirouettes and release elements in the higher difficulty routines. She may perform only four elements in a row on the same bar. Her routine should flow from movement to movement. She should not pause or make any extra swings or falter and re-support herself. Her dismount should have a "stuck" landing.

Balance Beam:
This event is especially challenging as the athlete must combine gymnastic, acrobatic and dance movements somewhat like the floor exercise to create high points or peaks in the performance. The added interest is that it must be executed on an apparatus that is 1.2 metres off the ground and only 4 inches wide. There must be flight elements, turning on one leg, leaps or jumps, acrobatic elements and a gymnastics series. She must perform on the entire 16 ft length and there must be elements close to the beam. The gymnast's effort to maintain balance should not be obvious and her performance should be smooth and without hesitation. Her dismount should have a "stuck" landing.

Floor Exercise:
This event is performed out in the open on a special 40 x 40 ft. spring floor. The floor exercise is choreographed to music. The gymnast must cover the entire floor, using acrobatic series, gymnastics elements and pirouettes to create peaks in the routine. There must be considerable height and distance of movement. It is most important that the athlete blends all elements of her routine smoothly and she should make level and direction changes harmoniously. She must use her great athletic ability to make the performance appear as effortless as dancing often appears. Her movements should seem to be a single flow of motion matched to the movement, rather than a calculated accumulation of skills and elements.


Ortona Gymnastics Club
8755 - 50 Avenue
Edmonton, Alberta Canada T6E 5H4
Phone: (780) 466-3547 Fax: (780) 465-8973
Email: ortonagc@telus.net